入殓师 英文观后感

入殓师 英文观后感

问题补充说明：大概要7，8百字左右的英文观后感

一共给你找了两篇：）

AlmostthreedecadessincestarringinJuzo来自Itami'sclassicTheFuneral,TsutomuYamazakioncemoreshinesinatalewovenaroundtherituals,tradi销tionsandtheatreinvolvedinJapanesedeathrites.Theirrevere360问答ncethatmakesItami'scl准三垂分材assicsuchadelightispresenthere.Daigo'sfirstdayonthejobplayingastiffinaDVDforthefuneralbusinesscomesbacktohaunthiminhilariou九挥浓越考许密文适移号sfashionlateron政.However,the啊reisalsoreverence,thefilmrespectfullypointingout群心板秋组左thatthepeoplewhodothisnecessarybutthanklesstaskdonotdeservethedisdainandrev零散垂措立损ulsionthattheirprofessionoftenattracts.

Daigolos胡乱eshisjobasacellist,returnstohisinakarootsandstum既入饭哥叫blesintoajobasanundertaker.Tooashamedtotellhis高一啊利wife,heslowlywarmst且八给清呀置及京陈巴ohisapprenticeshipunder盐船宪劳神themasterful易湖读tutelageofSasak罗本况严次说线这能先逐i.Ashegoesabouthisbusiness,theinevitabletraumasofachildhoodlongforgottenbubbletothesurfaceashegoesaboutre-acquaintinghimselfwiththetown.TheconduitforthenegativefeelingstowardshisprofessionisDaigo'swifeMika,w营孩还准以子hotakespunitivestepsondiscoveringhisnewemployment.

desperatetofin温蛋介亲参础dajob,heansw然片例讲互亚记ersanadlistedunderdepartu破鲜res,whichturnsouttobemisspelled.itwassupposedtosaythedeparted,thejobpertainstodressing,washing,andputtingmakeuponthedeceasedbeforethefuneral.

itisajobthatmostpeoplelookdownuponbecauseyouearnmoneywhensomeonedies.AtfirstDaigo,doesnotlikehisjobbutlittlebylittlehecomestoanewunderstandingofit.theprocessofpreppingthecorpseisshownindetailwithinthecontextofthestory,andlittlebylittlewetooasanaudiencegetsuckedin.itisanincredibleceremonytowitness.theundertakerhandlesthecorpsewiththeutmostreverenceandcare,everytouchofthedeceasedisdonewithcareandalwayswithperfectprecision.werealizedaswewatchthatthedeceasedareshownthetheutmostandultimaterespectbeforetheyleaveusforgood.itisabeautifulandsolemnactthatwillmakeyoucry.

therearemanyothersubplotsthatalltieupattheendbringingeverythingfullcircle.watchingthismovieonedoesnotfeellikewearepreachedtoyetitispowerfullyeffectiveinmakingusrealizehoweverymomentispreciousandweshouldnottakethingsforgranted.soironic,anewcomprehensiononlifewhilecommuningwithdeath...

ScreenwriterKundoKoyamahastotakecreditforascriptthatmovesalongbriskly,juxtaposingblackfarcewithrawtenderness,alldoneseamlessly,andacutelyobserved.Lipstickonacorpseproducesgalesoflaughter,andyouareremindedthatsometimesthebestfunishadatfunerals.Daigomovestowardsaformofreconciliationandredemptionthroughthepromptingsofthosearoundhim,andthecomfortofhiscello.

Itwouldbealltooeasyformateriallikethistolurchintosappysentimentality,butthefilmtugsattheheartstringswithoutovertlymanipulatingitsaudience.Motokihastotakesomeplauditsforthisforaperformancethatamusesattimesbuthintsatdeepinnerturmoilatothers.Hirosueislessconsistent,attimesindulginginthehead-bobbing,giggly,saccharinesweetgirlishnessthatistheforteoftheJapaneseTVdramaactress.ShehasonelineintheclimacticsceneofsuchstunningobviousnessIamsurpriseditstayedin,butforthemostpartsheredeemsherselfinthetenseinteractionswithMotokiovertheirdifferingviewsonhisnewcareer.Overall,sheconvincesasthesupportivebutput-uponwife.

FromKurosawa'sIkiruthroughTheFuneralandnowOkuribito,Japanesecinemahasarichveinofmoviesthatexploittheritualsofdeath.Howthoseritualscomfortus,enchantus,andseeusthroughtoaplacewherethepainstillexistsbutmightcometoanend,islaidbareinOkuribito.Itisanabsorbing,movingtale,fulloflaughterandtears,thatcelebratestheintricatedetailsofaJapaneseritesofpassagewhilelayingbaretheiruniversalfunction.Bestseeninthecinema,togetthefulleffectofthelusciousorchestralscore.

第二篇（你自己选择哈）

BynowalmosteveryonewouldhaveheardofthisJapanesefilmOkuribito(Departures),givenitswinintherecentAcademyAwards,clinchingtheOscarforBestForeignLanguageFilm,beatingthelikesofcrowdfavouriteWaltzingWithBashir,andthePalmeD'orwinnerTheClass.Andnowafterwatchingit,it'snosurprisereally,becauseifIweretogotongueincheek,it'sthenoveltyfactor,giventhattheAcademywouldneverhaveconceiveduponthenotionthatafilmcomingfromAsiaandfilledwithdeath,corpsesandcoffins,wouldbeanythingbutahorrorfilm.Seriouslythough,DepartureshaveAwardswrittenalloverit,withfineactingcomplementingastrongstorytotell.

Isupposetheequivalentofa"casketer"inlocalcontext,wouldbetheembalmer.Andit'swithoutadoubtaprofessionmostmisunderstood,andshunnedbecauseofourinnatefearofdeath.Wechoosetoavoiddeathwhereithadgone,andbeinganembalmerwouldunlikelybeonanykid'swishlistofprofessions.Despitethestereotypicalnegativeconnotations,itisaprofessionthatisquitedignified,becausetheprofessionalisentrustedwiththeresponsibilityofhelpingthelovedonesofthedeceasedcopewiththepassingon,andtohelpeasethepaininbringingsomecolourbeforethefinaljourneytoeithertheburialground,orcrematorium.

DeparturesdemystifiesthisprofessionintheJapanesecontext.AndlikeallthingsJapanese,theprocesscomeswithanelaborateritualofpreparation,cleansingandpresentation,alldonewithgreatprecision,skillfulgraceandutmostrespectforboththedeceased,andthefamilymembers.Theprofessiondepictedhereinthefilm,isoneofthehighestorder,whereweseeexactlyhowthecasketersgoabouttheirjob,andtheseparationofdutieswiththeundertaker.

MasahiroMotoki(lastseeninTheLongestNightinShanghai)starsastheleadprotagonistDaigoKobayashi,acellistinanorchestrawhodreamsofgoingplacesaroundtheworldwithhiswifeMika(RyokoHirosue)intow.Unfortunatelyforhim,hisorchestrafoldsandheisforcedtosellhisexpensivewhiteelephantsincehedoubtshecouldmakehispassionintoasuccessfulcareer.Dejected,heconvinceshiswifetoretreatbackintothesmalltownhecamefrom,livinginthehousehislatemotherhadleftbehind,inordertostartanewlife.Littledidheknowwhenrespondingtoajobclassifiedsthatatypohadgivenhimtheimpressionhewouldbeinacareerthatinvolvestravel.ThebossoftheshopIkueiSasaki(TsutomuYamazaki)hireshimoninstinct,andasthesayinggoes,therestishistory.

Forthecurious,thefilmisanexcellentmediumtoshowcasetheprofessionandtodosoingoodlight.Wecometolearnthecraftbehindthejob,andthenecessityofitall,beitdealingwithgrievingfamilymembers,ortakingcareofbodiesthatareboundforautopsies.DeparturespaintsthroughDaigo'sexperience,thevaryingspectrumofemotionsthatoneasaserviceproviderwouldhavetoface,aswejourneywithhimfromnovicelevel.All'snotdoomandgloomofcourse,asdirectorYujiroTakitapacedthefilmwithwellmeaninghumour–againneverslapstickordisrespectful–throughoutthenarrative.

ThestorybyKundoKoyamaalsoexcellentlyportrayedDaigo'srelationshipswithhiswifeandwithhismentor,wheretheformerwaslikearubberbandwaitingtosnapbecauseofDaigo'sdeliberateattemptstonottellhislovelywifewhathe'suptoforacareerinordertoshieldherfromthetaboo.Withthelatterfromwhomhepicksupthetoolsofthetradefrom,there'sasurrogatefatherfigurewhichheneverhadwhilegrowingup,resultinginsomepentuphatredtowardhisdadwhowalkedoutonthefamilywhenhewasyoung.

It'sanextremelymovingpieceofdramathatdoesn'tgetboggeddownbymelodrama,andIthoroughlyenjoyeditsthemesofreconciliation,forgivenessandbestofall,beingaprofessionalandservingwithpride.It'safantasticallycraftedfilmwithanexcellentcastallround,andshattersalltaboosthatcomewiththeprofessionofa"casketer".Iknowit'sclichétosaythis,butDepartureswillbeastrongcontenderwhenIcompilemylistoftopfilmsfortheyear.It'sbeensometimealreadywhereI'mequallyentertainedandmovedbyafilm,andwithoutadoubt,donotletthisdepartfromourlocalcinemasbeforeyougetachancetowatchitonthebigscreen.Highlyrecommended!